Well, that was a lot to process, Port White's two-song efficiency as musical technology visitor on "Saturday Evening Stay."
If it wasn't his gorgeous black-and-white go well with, it was the all-female six-piece group that supported him on "Love Disruption," the first tune that he performed, so limited that you wish and wish that this will be his visiting group (and that he will start a post-White Lines duo venture with Autolux percussionist Carla Azar, whose incredible kit work was something to behold).
The efficiency shown why Bright is a man among young children on the planet of stone songs, confident in his own speech, in his whole cosmetic, devoted to developing stone 'n' jiggle with (beautiful) instruments, bass sounds, drum and whatever else hits his elegant.
And if it wasn't that first tune, an immediate really like ditty, it was the follow-up/shut-up blast, "Sixteen Saltines," a traditional Bright musician with a beast coat, flourishing drum-and-organ call-and-response, a floorful of instrument results pedals, a unusual psychedelic link and the type of stone emergency that this year few if any others can produce. The tune presented an entirely different group, with instrumentation such as guitar and mandolin -- though they were quickly hidden below White's instrument fit.
Both songs are taken from his approaching single record "Blunderbuss," which comes out May 24 through his Third Man Information mark.
No comments:
Post a Comment